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Two People Made This Mess

by Paul Tabachneck

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1.
from the back of my head to the tip of my tongue there are ten miles of bad road so everything I say tonight will go horribly wrong it never has stopped me from tossing back shots as if somehow it gave me control you can pity the first foolish soul who gets me to talk well i can’t blame the world when it’s turned on its ear by a girl that i care for i can’t blame the whiskey, ‘cause i took it willingly, right? there’s no fault at all to the friends who don’t call when they figure i’m probably done for so i’ll say my piece, pack my sh.., and get out of your sight.
2.
Clap Along 03:15
i use the word “love” way too often it has always been a problem one day i know it’s gonna be my fatal flaw ’cause i’m the little boy who cried it and nobody seemed to mind it but when it’s been real i’ve seen it fail to register at all i have stayed in way too late played way too many games there’s a lot of ways to deal with the impression that i leave compliment or criticize condescend or analyze or you can clap along if you are just like me i will not hang this on my parents though it could have that appearance psychologists, psychiatrists and dentists all agree that if you mix a kid that’s lonely with a disapproving home you get a drink that bears remarkable resemblance to me i won’t click to that cliché when in oh so many ways i am happy with the freak that i am growing up to be i’ve got sorrow i’ve got shame and i’m learning that’s ok and you can... so clap along if you’ve got issues clap along if you’ve got flaws clap along if you’ve got mornings where you don’t leave bed at all clap along if you’ve stayed silent when you should stand up and fight clap along if people hate you and you kind of take their side don’t we all have our afflictions? don’t we all have battle scars? doesn’t everybody know the same three chords on this guitar? be you victors, be you victims when you listen to this song is there anyone i’ve missed who feels compelled to clap along?
3.
Trouble 02:33
when you have had your fill of the trouble you’ve asked for don’t hesitate to come ‘round knocking on this door and if i’m still living here if you ask me nice i’m sure i’ll let you in you’re the trouble i adore i never asked for peace there’s been no talk of silence and i’ve got no use for ease when love gets hard love gets loud love gets downright violent
4.
the game of us is on again the condensation’s on your skin yeah, we’re both method actors, nominated for the win and it’s hard to tell where fiction stops or where our truth begins oh, you say you’ll never want a husband but you’ll always want a lover oh, maybe so oh, you say you think i’d fall to pieces if you found yourself another i don’t wanna know, i don’t wanna know you play me like a castanet or like you won me in a bet easy come, easy go, you know the house will always win but we soldier on and pray we’ll both break even in the end i should leave but i can’t so i won’t and you know and you use the information so well
5.
Misophone 03:39
oh, when we got the plastic plates it might’ve been our worst mistake no one should have to live that way eating in our separate rooms each meal that we had made for two both afraid to face the truth it wasn’t quirky it wasn’t funny it wasn’t something any drink could wash away it’s been my constant companion all my days It’ll spin me in my grave i’ve got a little white machine it makes a sound so I can sleep pretending that I’m on the beach i’ve got a system locked in place for staying cool on crowded trains by fixing on a point in space it’s in a pinprick it’s in a slow drip the tiny tensions that can bleed you ‘til you’re pale as paste it’s been... i’ve been called a fraud by some been called a lying son been called an egotist, a narcissist by trade, oh i’ve been put through regimens been probed like a specimen hell i’ve been everything and it’s never been ok it’s all around me in all the sounds we can take for granted ‘til they meet at center stage it’s been... no one should have to live this way
6.
don’t spare me the rod i know what i’ve done i know why you’re here i’ll know why when you’ve gone i feel like you’ve aged me but you’re still so young and you keep finding ways to steal from peter for paul if i give you a smile you’ll throw me a wink then we’re gonna shake these walls, they’ll crumble to pieces morning and night will bleed into one as we keep finding ways to steal from peter for paul so let’s sit this one out we know how it ends as hard as we’ve tried, tried, tried we can’t just be friends and it’s time you trade up we’ve made our mistakes and you’ll be better off for taking peter for paul
7.
paint a tunnel on the side of a wall tell me love’s at the end i will crash into it every time ’cause i get through the day to day on belief that love is still possible however improbable i still find it everywhere coming through the sidewalk, catching air and growing over time call me a fool i’ll say “Maybe it’s true but i’m not crazy and i’m not giving up.” show me the men who fall again and again they won’t faze me i’m not giving up on love give me just a little meat off the bone i’ll make a meal of it i’ll tell you it’s one that’s fit for a king but i spent all my youth berating my friends who got in relationships ”just think of the fun you’ll miss” and now i see them everywhere talking to their children saying, “there’s your favorite uncle paul” call me a fool.... even when it’s bleakest i’ll remind myself that there’s someone with hope someone who knows that love is not a piece of fiction that i wrote love is possible however improbable i know
8.
why are we still on the phone? i got the point a minute ago why won’t you leave me alone? why are we still on the phone? what are the fewest words to use to end this call? this conversation never needed me at all i got the message that you’d rather be alone tell me that it’s not me that and a buck can get you coffee why... been through the ringer and got tired of playing games the day i met you was the day i tried to change turns out you like your men aloof and distance-prone we could’ve had such fun you don’t know how fast i can run, oh/why... why are we still on this yellowed page with the plotline wearing thin? i can’t wait for the next book to begin
9.
We Caved In 04:09
i reminisce on how you lifted me off my feet kissing me outside the sunburnt cow on ave c i hate the rain, but when it came i just held you tight my hands on the small of your back in a posture we’d memorized we, we caved in we gave up we fell out we let us down when we threw in the towel we threw in the towel we caved in and now i lie awake and try to forget your name 12 fl oz chase after each other to wash you away but once you snap the seal off the dam it’s too late to stop you can pray all you want but the town’s getting flooded and it’s all your fault we... oh, and i need you like i thought i never could oh, and dependency has never done me good i hope you’re not the one
10.
Pointless 03:48
nothing could be more pointless than trying to talk to you when i can’t change your mind but i couldn’t see a choice left ’cept trying to sleep this off and I tried that once tonight i know you’re not in the wrong yeah that’s the greatest pill of all you know if i had right on my side i’d show up every night i’d never stop trying i never took a moment with everything you said to try to see your side you gave me a dot, a line, a graph a chart, a figure and a map but i never saw the light i know.... so maybe this wasn’t pointless ’cause i finally understand what you told me all along and i’m glad i came across you crashed in to your rocks that’s where that boat belonged
11.
spent a lot of time sitting here staring at the wall at things i know aren’t even there if i look at you i know i’ll lose all sensation in my spine spent a lot of time thinkin’ ‘bout what i’d say to you if i could open up my mouth i have never been this worried ‘bout anything i’ve ever tried somewhere in your eyes i get dumb and paralyzed but i’ll confide in anyone who’ll listen to my wistful pining spent a lot of time wondering how the players always know that they are gonna win that kind of life, it must be nice never standing to the side never have to try everything just falls in line i’ll confide in anyone who’ll listen to my wistful pining every time you catch my eye i think i’ve fallen off the deep end why am i so shy? nothing left to lose but pride here goes nothing if my grace is absent it’s because your beauty makes me stupid please forgive my stumbling it’s just that you make language useless spent a lot of time sittin’ here just a shadow on your wall
12.
Please 02:57
please put your name on my mailbox take this chain and this padlock and bind my heart and please hang your hat next to my coat hang your robe on my bedpost without a second thought i want you to eat what i cook and tell me it’s good even if i burn it and i want you to not be the one who chooses to run ’cause you got nervous i want you to be the one who takes my blue to be the one who makes me you to be the one i wake up to
13.
You're Mine 03:11
you’re mine can’t talk your way out of it i’ve got you and now you get just what your parents said about the boys how we’ll get you in our sights how we’ll treat you oh so nice until you give your heart without a choice but you’ve got me back, yeah, you’ve got me back, you do you're mine (i'm yours) you're over the moon for it i've got you and now you get just what your parents said about the girls how they’ll let you think you’ve won but it’s all part of the fun still by the end you won’t believe your luck so I’ve got your back, yeah, I’ve got your back, I do been countin’ all my blessings, learned all of my lessons never gonna give you up we talked through all our issues killed a box of tissues we’re still standing here because it’s love you’re mine but it’s not a war we won we both put down our guns and found it easier to get along you're just like my favorite song even if it’s sad in parts, when it comes ‘round, there’s nothing else I want
14.
just two years ago if you had asked me i would tell you that love was a two-legged beast killed for the king and then summarily dismissed for not being enough of a meal but i didn’t know you then my camera had lost its lens but now you’re here and i understand by the sun and its course you can always know where your nose is pointing as long as there is a north i will always find my way back home to you just as long as you want me to two years ago i was face down in a pool of ennui, i was unsatisfied afraid that i would be beholden to the old status quo until i gave in and died i welcomed the sweet embrace of a slow silent fade by the sun and its course… two of us have so much more in our quiver than one ever can
15.
Rows and floes of angel hair And ice cream castles in the air And feathered canyons everywhere I've looked at clouds that way But now, they only block the sun They rain and snow on everyone So many things I would've done But clouds got in my way I've looked at clouds from both sides now From up and down, and still somehow It's clouds' illusions I recall I really don't know clouds at all. Moons and Junes, and ferris wheels That dizzy dancing way you feel As every fairy tale comes real I've looked at love that way But now it's just another show You leave them laughing when you go And if you cared don't let 'em know Don't give yourself away I've looked at love from both sides now From give and take, and still somehow It's love's illusions I recall I really don't know love at all. Tears and fears and feeling proud To say I love you right out loud Dreams and schemes and circus crowds I've looked at life that way But now old friends are acting strange They shake their heads They say I've changed, well Something's lost But something's gained In living every day I've looked at life from both sides now From win and lose, and still somehow It's life's illusions I recall I really don't know life at all.

about

"Two People Made This Mess" is the new release from Bronx-by-way-of-Pittsburgh singer-songwriter Paul Tabachneck

This album had two lives: First, Tabachneck planned it as a "living piece," meaning that while he was recording it at home, he was posting work mixes throughout. The plan was to have a fully mastered version at the end, but once he hit his first mixing point, he realized that he wanted to have live drums instead of sequenced, and that there were more layers of arrangement he couldn't get without some help.

15 songs and almost 50 minutes in length, the album was crowdfunded on the platform Rockethub with the support of over 200 people. Tabachneck and co-producer Brandon Wilde began tracking at the end of August 2013 and wrapped production in May 2014. It features the talents of Broken Fences, CKay, Brad Gunyon (All-Night Chemists, Black Bunny), Michael Bellar (As-Is Ensemble, Howie Day), Jesse Prentiss (Pete Bush and the Hoi Polloi, Ritual Space Travel Agency), and Wilde (Black Bunny, Thisway).

End-to-end, the listener will hear Tabachneck's journey through a Shawshank river to find love. Good news! At the end, he finds it.

He is looking forward to writing his next album, and figuring out how to sing about being in love without making everybody ill.

credits

released August 28, 2014

produced by brandon wilde and paul tabachneck
recorded, engineered and mixed at Studio 76
by brandon wilde
additional recording/engineering at
michael bellar’s ‘kitchen & couch’ studio,
at the church recording studios by dana cannone
and at sfs bedford park by paul tabachneck
photos and design by paul tabachneck
artist photo by terence degnan
booking: 347 422 3544 or ectohitch@gmail.com
licensing: (212) 529-3945 or shellybay.com
paul-tab.com

paul tabachneck: lead and bg vocals, acoustic and electric guitars, glockenspiel, tambourine,
synth, piano, melodia, loops
brandon wilde: bg vocals, keyboards,
electric and bass guitars
michael bellar: acoustic and electric pianos,
organs, accordion, charm
brad gunyon: drums
jesse prentiss: upright bass on “please” and
“trouble,” harmony vocal on “please”
morgan erina, guy russo, nathan zoob: bg vocals on “not giving up,” hand claps on “clap along”
ckay: co-lead vocal on “you’re mine”

all songs written by paul tabachneck
(c) fleshyourcoldhousein music (ascap)
except “peter for paul” and “here goes nothing” written by paul tabachneck and andy mac (c) fleshyourcoldhousein music (ascap)/stay clean music (ascap) and “both sides now” written by joni mitchell (c) crazy crow music (ascap)

mastered by allen farmelo at the snow farm

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Paul Tabachneck New York

I started doing music in Pittsburgh, fronting the folk-rock band Stone Soup, the dark-pop band Dead Pressed Flowers, and the Power Pop band Manpig aka Everybody Wins. After that, I moved to New York, mostly playing solo and busking a lot. Now I live in CT and play in my home office because everything is bad and no one can go out. See me Wednesdays at 7:30 at facebook.com/paultab! ... more

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